World's End, The (2013) [Blu-ray]
Action | Comedy | Sci-Fi
Tagline: Good food. Fine ales. Total Annihilation.
Simon Pegg and Nick Frost reteam with director Edgar Wright (Shaun of the Dead, Hot Fuzz) in this wildly entertaining thrill ride that critics call "funny as hell" (Richard Roeper, WLS-AM Chicago) and "sheer comic perfection" (Peter Travers, Rolling
Stone). Twenty years after their first epic pub crawl attempt, the "five musketeers" reunite in their home town to complete the ultimate challenge - one night, five friends, twelve bars - a boozy quest on which only the strongest will survive. But after a
bizarre series of encounters with the out-of-this-world locals, they soon realize that reaching their final pub, The World's End, may be the least of their troubles. They're having the time of their lives, ready to take on the world... but tonight they
may have to save it.
Storyline: 20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year
old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World's End. As they attempt to reconcile the past and present, they realize the real struggle is for
the future, not just theirs but humankind's. Reaching The World's End is the least of their worries. Written by Production
Reviewer's Note: Reviewed by Kenneth Brown on November 14, 2013 -- Is there a genre Edgar Wright and cohorts in crime Simon Pegg and Nick Frost haven't tackled? Victorian period romance, I suppose. Otherwise, it's all fair game
for the Cornetto Trilogy boys. Shaun of the Dead cut a swath through horror and the house that Romero built, years before the New Zombie Renaissance. Hot Fuzz fired "two guns whilst jumping through the air" with slick style, shooting up '80s
and '90s action classics, police procedurals and buddy cop flicks. And now there's The World's End, a hilarious send-up of sci-fi actioners, alien invasion movies, arrested development comedies, and even disaster blockbusters and post-apocalyptic
wasteland epics. No genre is sacred; no genre is safe. Just the way Wright fans like it. The World's End isn't as pitch perfect as Shaun of the Dead -- if you never warm to Pegg's insufferable manchild, you'll have a much harder time warming
to the rest of the film -- but it's sharper and a wee bit smarter than Hot Fuzz, closes out the trio's trilogy of genre comedies with gusto, and delivers some of the biggest laughs of the year. Enough to declare it the best comedy of 2013?
Absolutely.
Thirty-eight-year old Gary King (Pegg) is deep in the throes of arrested development, obsessed with the good ol' days when he and his inseparable band of high school troublemakers -- Steven Prince (Paddy Considine), Oliver "O-Man" Chamberlain (Martin
Freeman), Peter Page (Eddie Marsan) and best friend Andy Knightley (Frost) -- attempted to complete the Golden Mile: patronizing all twelve pubs in their hometown, Newton Haven, in a single night. The five teens failed to finish the Mile, of course, and
soon after went their separate ways. Haunted by the glory that could have been, Gary tracks down his old chums twenty years later, cons each of them into returning with him to Newton Haven and, finally, at long last, put right what once went wrong. Twelve
pubs. Twelve pints. There's just one problem. The fair folk of Newton Haven are acting awfully strange. How strange? As the gang soon discovers, the townspeople have been replaced by identity-swiping alien robots hellbent on what can only be described as
a weirdly peaceful hostile takeover. Now, with the help of Oliver's sister Sam (Rosamund Pike) and a local named Basil (David Bradley), Gary and his friends have until dawn to thwart the body snatchers' plans, go toe-to-toe with the aliens' charming
leader (Pierce Brosnan) and save the planet. For Gary, though, it's all secondary to the real task at hand: completing the Golden Mile.
Never one to repeat himself, Wright strikes a completely different tone from anything he's done before, refusing to dip into what could easily become a very familiar bag of tricks. The World's End is brash, brazen and bound to a cocksure swagger
that's all King, and yet all at once breezy and effortless. One-liners fly fast and fierce. Instantly quotable quotes litter the streets. Clever pop culture riffs await. Rapidfire rants and diatribes erupt at every turn. A welcome dose of heart enters the
fray in the nick of time. Subtle genre satire births even more subtle genre satire, and that's not even counting the more obvious jabs filmfans will immediately skim off the surface. When I wasn't busy laughing, I found myself sitting back and simply
marveling at the sheer craft of it all. There's far more to End's comedy beats and action beatdowns than meets the eye, and carefully concealed in-jokes and references are hidden everywhere... at least for those willing to search them out
through multiple viewings. (My favorite? Mild spoiler alert: take note of how closely the progression of events of the boys' first Golden Mile trek coincide with their present-day, alien-infested run. Wright practically maps out the entire movie from the
outset.) My go-to comedies are always gifts that keep on giving, and I can't imagine exhausting The World's End any time soon. I haven't come close.
It's a bit darker than Wright's usual comedies too, with a self-centered hero-in-the-making that verges on unlikable (intentionally), a lovable lug who's abused and manipulated by a poor excuse for a friend, and a story that doesn't guarantee its entire
ensemble will make it out in one piece. Shaun of the Dead edged nearer and nearer to heartache as it hurtled along, pulling back at the last minute with an "all's well that ends well" finale after some sad business during a grim last stand. The
World's End is a riot to the bitter end -- don't you worry -- but it doesn't flinch or back down, sidestepping a traditionally happy end-cap in favor of something much, much more satisfying. (Not to mention wholly unexpected.) I'd even go so far as to
say the third act approaches Python-level brilliance, not just subverting a dozen sci-fi tropes, but one-upping them altogether. Compare Oblivion's climactic showdown to End's. There's no contest. Wright's face-off and endgame is richer,
more thought-provoking, more intelligent, and possibly even more poignant science fiction. It just so happens to be hilarious. God forbid. Add to that a killer cast, terrific visual effects, a fantastic soundtrack, and thrilling, blazingly choreographed
action scenes and you have something more than the best comedy of the year; you have one of the best science fiction films of 2013.
With The World's End, Wright further establishes himself as one of the preeminent comedy directors working today. The presence of Pegg and Frost ups the ante, of course, and their smartly cast co-stars certainly help. The final(?) entry in the
trio's unofficial Cornetto series is a blast from start to finish; a wee bit better than Hot Fuzz by my estimation, and almost as flawless as Shaun of the Dead. Opinions will vary I'm sure, but there's a lot here to love, and a lot more to
laugh at across multiple viewings. Universal's Blu-ray release arguably tops the feature film, with an excellent video presentation, a terrific DTS-HD Master Audio 5.1 surround track and hours upon hours of special features, including three audio
commentaries, two high definition production documentaries and much, much more. One of the year's best films arrives with one of the year's best Blu-rays.
[CSW] -1.5- Unbelievably disappointing. I love these guys. I love the movies associated with these guys. What a letdown. It's starts slow, not funny, and then gets weird, and somewhat funny, and then just falls apart. I wish I could be more positive, but
you'll see, weak. Maybe being an English prep school graduate would probably help your understanding and appreciating this film or maybe just never outgrowing adolescents is the real key. Just know that midway through the movie, it devolved into a
confusing, alien-bashing free-for-all. At its heart, it had some worthwhile insights regarding lingering coming-of-age traumas, unrequited love, and the need to embrace adult responsibilities. In short, don't waste your time with this one--it morphs
itself into a humorless mess. It won't be the end of the world if you miss it.
[V4.5-A4.5] MPEG-4 AVC - No D-Box.
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